Vocal Chamber Music
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This invaluable resource is a revised edition of an essential index to vocal works composed for at least one solo voice and one instrument (other than piano or guitar) up to twelve solo voices and twelve solo instruments. The book includes a brief introduction on how to teach vocal chamber music, with tips on running a successful ensemble. Vocal Chamber Music: A Performer's Guide, 2nd Edition is a much needed and important book for voice teachers, singers, music directors and music libraries, for information that is normally difficult to find and usually requires assembling from various sources.
The Singer's Repertoire
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A timeless classic. Includes 8,200 songs in 818 lists for nine voice classifications; indexed by composer, title, vocal range, and publisher. The complete work represents the living song repertoire of today drawn from recital programs, recordings, broadcasts, telecasts, and other sources, and is comprised of Part I: Coloratura, Lyric and Dramatic Soprano, Part II: Mezzo Soprano and Contralto, Part III: Lyric and Dramatic Tenor, and Part IV: Baritone and Bass.
Choral Repertoire
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Now in its second edition, Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts alike, it is an account of the complete choral output of the most significant composers of this genre throughout recorded history. Organized by era (Medieval, Renaissance, Baroque, Classical, Romantic, and Modern), Choral Repertoire covers general characteristics of each historical era; trends and styles unique to various countries; biographical sketches of over 500 composers; and performance annotations of more than 5,000 individual works. This book has been an essential guide to programming, a reference tool for program notes and other research, and, most importantly, a key resource for conductors, instructors, scholars, and students of choral music. This new edition features dozens of additional composers, updated biographical data, and broadly expanded scholarship that brings new life to this essential text.
Vocal Repertoire for the Twenty-First Century, Volume 1
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Described as the "life and soul of British contemporary music", Jane Manning is an internationally celebrated English concert and opera soprano. In this new follow-up to her highly regarded New Vocal Repertory, Volumes I and II, she provides a seasoned expert's guidance and insight into the vocal genre she calls home.Vocal Repertoire for the Twenty-First Century spans the late middle-20th century through the second decade of the 21st. Manning's comprehensive selection of contemporary art songs ranges from the avant-garde to the more easily accessible, including substantial song cycles, shorter encore pieces, and songs suitable for auditions and competitions. The two-volume guide presents expertly-informed selections tailored to particular voice types. Each of the 160 selections is accompanied by a highly detailed performance guide, music examples, levels of difficulty, and a brief encapsulation of vocal characteristics or challenges contained in the piece. A supplemental companion website provides composer biographies and an up-to-date list of recommended recordings. With a focus on younger composers in addition to prominent figures, Manning encourages singers to refresh and expand their recital repertoire into less familiar territory, and discover the rewards therein.Volume 1 features works written before 2000, including pieces from such renowned composers as John Cage ("The Wonderful Widow of Eighteen Springs", "A Flower"), André Previn ("Five Songs"), and Igor Stravinsky ("The Owl and the Pussycat").
Art Song in the United States, 1759-2011
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This fourth edition of Art Song in the United States, 1759-2011 covers songs for solo voice and piano by American composers from the mid-18th through the early 21st centuries. The book is structured as an annotated bibliography with approximately 2,850 numbered entries listed alphabetically by composer and title and indexed in various ways to help teachers and singers locate the particular song they require for practice or performance. This edition adds eleven years' worth of new works, anthologies, and collections (about 450 new entries), reflecting the relatively recent outpouring of song compositions by American composers and a wealth of new song anthologies and collections. This bibliography features information on each song or song cycle or set. Users will find critical data on the poet, publisher and copyright date, key, vocal range, vocal tessitura, meter(s), tempo, length, difficulty of vocal line and piano score, most suitable voice type, mood and subject of the text, and brief description of the vocal line and piano score. It also includes commentary on special difficulties for performers and possible uses of the song in programming. In addition, individual titles of composite works are given, and those that appear in collections are indexed to the list of collections in the front matter. Composer, poet, special characteristics/subject, and title indexes--and even discographic lists recordings where available--all aid researchers in finding songs. The primary audiences for this bibliography are voice teachers and singers in search of appropriate art songs for their students or themselves, as well as libraries with collecting interests in music and American literature.
A Singer's Guide to the American Art Song
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Considers the lives and contributions of 144 significant composers in the field. Includes a general discography, bibliography, and indexes for both titles and poets.
Word-By-Word Translations of Songs and Arias
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This classic text first published in 1966 has withstood the test of time as a teaching aid for English-speaking singers, coaches, and accompanists, in order that their art may be more communicative to the public. This word-by-word translation allows the artist to properly interpret and express the feelings and emotions that the words require at the proper time.
Translations and Annotations of Choral Repertoire. Vol. 1, Sacred Latin texts
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Translations and Annotations of Choral Repertoire. Vol. 2, German texts
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Exploring Art Song Lyrics
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Drawing generously from four centuries of Italian, German and French art song, Exploring Art Song Lyrics embraces the finest of the literature and presents the repertoire with unprecedented clarity and detail. Each of the over 750 selections comprises the original poem, a concise English translation, and an IPA transcription, accounting for any unusual musical setting and idiomatic phrasings throughout. Enunciation and transcription charts are included for each language on a single, easy to read page, along with innovative and useful guidelines for transcribing Italian, German and French lyrics. With its wide ranging scope of repertoire, and invaluable tools for interpretation and performance, Exploring Art Song Lyrics is an essential resource for the professional singer, voice teacher, and student.
Interpretation of French Song
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This is the standard work on its subject, and its author the outstanding authority. Pierre Bernac had a long and distinguished career as a singer, specializing in the French song (or mélodie) repertoire. For many years he was incomparable partnered by Francis Poulenc, one of the composers discussed in this book. M. Bernac later taught and gave master classes in Europe and the United States. He died in 1979. Among eighteen composers whose vocal works are covered in the book are Berlioz, Gounod, Duparc, Chausson, Fauré, Debussy, Satie, Ravel--as well as Poulenc and others. The greater part of each composer's output in the genre is discussed: texts of nearly 200 songs are given in French, with line-for-line verse translations by Winifred Radford, notes on pronunciation, and simple but detailed suggestion for performance and interpretation. Preceding these sections on the songs themselves are three most important chapters on performance and interpretation in vocal music, on singing in French, and on the particular problems involved in the interpretation of French mélodies. This is the book every serious singer needs--and, more and more, singers are "discovering" French song. It is also an invaluable guide for the concert-goer and record collector.
The Fischer-Dieskau book of Lieder : the texts of over 750 songs in German
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Also see opera librettos with IPA guides edited by Nico Castel in REF 54.
A Dictionary for the Modern Singer
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Titles in the Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Each dictionary covers topics from instrument parts to technique, major works to key figures--a must-have for any musician's personal library! A Dictionary for the Modern Singer is an indispensable guide for students of singing, voice pedagogues, and lovers of the art of singing. In addition to classical singing, genres, and styles, musical theatre and popular and global styles are addressed. With an emphasis on contemporary practice, this work includes terms and figures that influenced modern singing styles. Topics include voice pedagogy, voice science, vocal health, styles, genres, performers, diction, and other relevant topics. The dictionary will help students to more fully understand the concepts articulated by their teachers. Matthew Hoch's book fills a gap in the singer's library as the only one-volume general reference geared toward today's student of singing. An extensive bibliography is invaluable for students seeking to explore a particular subject in greater depth. Illustrations and charts further illuminate particular concepts, while appendixes address stage fright, tips on practicing, repertoire selection, audio technology, and contemporary commercial music styles. A Dictionary for the Modern Singer will appeal to students of singing at all levels. For professionals, it will serve as a quick and handy reference guide, useful in the high school or college library and the home teaching studio alike; students and amateurs will find it accessible and full of fascinating information about the world of the singing.
Historical Dictionary of Choral Music
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The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized. No wonder people have always wanted to sing in a communal context-a desire apparently stemming from a deeply rooted human instinct. Consequently, choral performance has often been related historically to human rituals and ceremonies, especially rites of a religious nature. This Historical Dictionary of Choral Music examines choral music and practice in the Western world from the Medieval era to the 21st century, focusing mostly on familiar figures like Bach, Beethoven, Brahms, and Britten. But its scope is considerably broader, and it includes all sorts of music-religious, secular, and popular-from sources throughout the world. It contains a chronology, an introduction, a bibliography, and more than 1,000 cross-referenced dictionary entries on important composers, genres, conductors, institutions, styles, and technical terms of choral music.
Researching the Song
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Singers are faced with a unique challenge among musicians: they must express not just the music, but the lyrics too. To effectively communicate the meaning behind these words, singers must understand the many references embedded in the vast international repertoire of great art songs. They must deal with the meaning of the lyrics, frequently in a language not their own and of a culture unfamiliar to them. From Zelter and Schubert to Rorem and Musto, Researching the Song serves as an invaluable guide for performers, teachers, and enthusiasts to the art song repertoire. Its more than 2,000 carefully researched entries supply information on most of the mythological, historical, geographical, and literary references contained in western art song. The authors explain the meaning of less familiar literary terms, figures, and authors referenced in song while placing songs in the context of larger literary sources. Readers will find entries dealing with art songs from the German, French, Italian, Russian, Spanish, South American, Greek, Finnish, Scandinavian, and both American and British English repertoires. Sources, narratives, and explanations of major song cycles are also given. Organized alphabetically, the lexicon includes brief biographies of poets, lists of composers who set each poet's work, bibliographic materials, and brief synopses of major works from which song texts were taken, including the plots of all Restoration theater works containing Purcell's vocal music. The more performers know and understand the literary elements of a song, the richer their communication will be. Researching the Song is a vital aid for singers and teachers in interpreting art songs and building song recital programs.
The New Grove Dictionary of Opera
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Incorporating a decade of musicological research, the Dictionary is unsurpassed in its scope and quality, with contributions from over 1,300 of the world's leading critics and scholars. A remarkable 11,000 articles, all fully cross-referenced, create a work that has become established as the essential opera reference. Indeed, every aspect of this varied art form is covered: composers, conductors, directors, performers, librettists, literary sources, cities and countries, operatic historians, and opera genres and terminology. BL Over 1800 operas are discussed from the late 16th century Florentine Camerata, through the great 18th and 19th century operas, to contemporary works such as the minimalist theatre pieces of Philip Glass BL The lives and careers of over 2900 composers are discussed in depth, with entries containing critical assessments as well as discussion of their individual careers and major achievements BL Profiles of every singer who has made a significant contribution to opera are included, from Francesco Rasi in the 1600s to Luciano Pavarotti in the 1990s BL Two unrivaled indices of character names and arias make it the most useful and user-friendly opera dictionary available BL Illustrated throughout with rare photographs, reproductions of original posters, set and costume designs, and scenes from recent performances
Choral Music on Record
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Following the successful volumes of Song on Record, this 1991 book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including - where appropriate - a clarification of editions, revisions, etc. (all the many changes in Messiah are, for instance, described in detail). The coverage of recordings is exhaustive and its value is enhanced by detailed discographies, with numbers of each recording. Each contributor is an authority within his or her specialist area and, collectively, their insights and observations make the book invaluable to record collectors, music lovers and all with an interest in changing tastes and styles of musical performance.
American Opera Singers and Their Recordings
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This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.
The Metropolitan Opera on Record
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The Metropolitan Opera on Record: A Discography of the Commercial Recordings is a comprehensive listing of all the commercial sound recordings involving the Chorus and Orchestra of the Metropolitan Opera, one of the world's leading musical organizations. Over 900 recording sessions are listed chronologically, starting in 1906 and continuing through the last digital recordings conducted by James Levine in 1998. Entries include excerpts and complete recordings from more than 120 operas in various formats, representing more than 380 artists. The recordings are fully annotated, including the session date and location, the primary source of information, the opera title and composer, matrix number and speed of the recording, the artists performing, the recording company name and number, the format, and the release dates. In addition, Fellers provides a fascinating history of the Met recordings, from the first Leeds & Catlin recordings in the early 1900s to the digital recordings of the 1990s. Additional information on the Opera House String Orchestra and the Radio Broadcasts are included, as well as complete indexes listing the works by composer, title, and artist.
Opera : a research and information guide
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Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Choral Music : a research and information guide
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Choral Music: A Research and Information Guide, Third Edition, offers a comprehensive guide to the literature on choral music in the Western tradition. Clearly annotated bibliographic entries guide readers to resources on key topics within choral music, individual choral composers, regional and sacred choral traditions, choral techniques, choral music education, genre studies, and more, providing an essential reference for researchers and practitioners. Covering monographs, bibliographies, selected dissertations, reference works, journals, electronic databases, and websites, this research guide makes it easy to locate relevant sources. Comprehensive indices of authors, titles, and subjects keep the volume user-friendly. The new edition has been brought up to date with entries encompassing the latest scholarship, and updated references and annotations throughout, capturing the continued growth of literature on choral music since the publication of the second edition. ublication of the second edition.
The Art Song : a research and information guide
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The Grove Book of Opera Singers
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Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colorful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. In addition, there are indexes of singers by voice type and by opera role premiers. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers. A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work, beautifully illustrated with color and black-and-white pictures. It is an essential volume--and the perfect gift--for opera lovers everywhere.
Classical Singers of the Opera and Recital Stages
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Have you ever tried to find information on your favorite classical singer, past or present? If you have, you know the frustrations involved. Now, for the first time under one cover is a comprehensive listing of all known published and unpublished material of a biographical nature about classical singers of the opera and recital stages. No current reference work or periodical includes more than a fraction of the material found here. This book will save the reader countless frustrating hours tracking down sources by indicating exactly where to look. For anyone with a serious interest in classical singers, this new publication is a MUST. Quite simply put, there is nothing comparable available. If you own any or all of the current basic references on opera and singing, this represents a worthy and indispensable companion to each of them. Classical Singers of the Opera and Recital Stages is a comprehensive listing of biographical materials about 1,532 famous and not-so-famous vocalists. Materials from 30 languages and language variants are annotated including cross-references to 24 major dictionaries, encyclopedias, and reference works as well as 12 important periodicals. In addition to this body of information, 157 collective titles and 283 related books are also cross-referenced. It even includes references to works such as the American National Biography which is currently in publication. All of this material is organized into five easy-to-use coded categories, and the codes remain standard throughout the work. A special feature is a complete index to all vocalists accorded an entry in The New Grove Dictionary of Opera (1992). Some 323 classical vocal artists, who do not appear in Grove-Opera, are included here. Cowden's monumental reference lists thousands of sources for obscure artists as well as for the legendary ones from the 17th century to 1993. Each reader will find sources of information previously unknown thus saving countless hours tracking down biographical information about a particular artist. An indispensable supplement to even the most recent published reference works in the field of the vocal arts, Classical Singers of the Opera and Recital Stages should remain a standard work for years to come.
